Jessica Williams, Orgonomic Music
Earshot Jazz reviews the album Orgonomic Music by Jessica Williams, featuring solos by Williams, Eddie Henderson, Jim Grantham, Dave Tucker, Henry Robinett, Richard Saunders, and Kim Stone.
Volume 40, No. 6
In this Letter from the Director, John Gilbreath discusses the Earshot Jazz magazine through its 40 years of publication, beginning in 1984. He also discusses Paul de Barros’ book Jackson Street After Hours: The Roots of Jazz in Seattle and gives a shout out to the young artists of the Garfield, Roosevelt, and Bothell high school jazz programs who represented Seattle jazz at the Essentially Ellington festival.
Jazz: The Second Century
This is a call for artists for the 2015 Jazz: The Second Century Series.
Jazz Masters, All
In a Letter from the Director, Executive Director John Gilbreath discusses the National Endowment for the Arts (NEA) Jazz Masters ceremony, introduces trumpeter Carter Eng and Francesco Crosara’s ‘Circular Motion’ album, and announces the community’s GiveBIG initiative.
Francesco Crosara – Circular Motion
This album review discusses Francesco Crosara’s Circular Motion album, featuring Crosara, Clipper Anderson, Mark Ivester, Farko Dosumov, D’Vonne Lewis, Osama Afifi, and Xavier Lecouturier. Written by Akshaj Turebylu.
Maya – Global Grooves with Ganesh Rajagopalan and Friends
Ganesh Rajagopalan and his upbringing in the Carnatic musical tradition and his musical journey. Written by Devon Léger.
Meet the 2024 NonSeq Curators
An introduction of the Curators for the NonSeq Community Curators Series 2024 – Beth Fleenor, Connie Fu, Kole Galbraith, and Naeim Rahmani. Written by Nathan Bluford.
In the Workshop with Jazz Quartet Type 85
Introduction to jazz quartet Type 85, their group formation, music philosophies, and upcoming LP. Written by Eric Olson.
Carter Eng: The One Thing
Carter Eng is featured in an artist profile written by Paul Rauch. Eng’s dedicated approach to learning the trumpet and his journey through Roosevelt High School, San Francisco Conservatory of Music, and his presence and contribution in the Seattle Jazz Scene are discussed.
